Posts in the "Australian Production" Category

  • Streaming Live from The Reef

    Australian Director Andrew Traucki of Black Water fame is currently shooting his next low budget suspense feature The Reef. The crew have been shooting for 3 weeks on location in deep water and will be web streaming live from the set later this week: Thurs 5th November at 9:30am EST in Australia – put it [...]

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  • Not addicted to TV

    I have found myself getting particularly bored and irritated with evening television lately. Maybe I’m stating the obvious here but it’s not really getting any better is it? Is endlessly repeated programming meant to be so familiar it’s soothing and relaxing (snore!) or is it just designed so you have a better chance of programming [...]

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  • Viral Crocodiles

    New Australian feature film Black Water is getting good critical acclaim in Europe and has just been released in Australia. Made by Australian filmmakers Andrew Traucki and David Nerlich it has reportedly already made its money back, a rarity for any Australian film. This is one of the viral videos being used to promote the [...]

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  • It’s on the grapevine, Baz Lurhrman’s Set to Screen podcasts have hit the iTunes store offering young filmmakers an insight into the process behind the making of new feature film Australia. Critic Lynden Barber mentions it in his blog Eyes Wired Open and credits Luhrmann and Fox for a genuine effort to reach out to [...]

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  • Changes in the  Australian digital film landscape

    A new partnership has just been announced which will shape the future of Australia’s digital film industry in the coming years. Australia’s leading production company – Kennedy Miller Mitchell – has announced it will partner with the Omnilab group to advance the future of digital cinema creation in Australia. George Miller made the following statement [...]

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  • Digital distribution of what?

    Just finished reading Richard Harris’s essay in the Platform Papers series – ‘Film in the Age of Digital Distribution: The Challenge for Australian Content’. You can find out more about this paper by clicking here. That was the advertisement, now for the critique. Don’t get me wrong, it’s timely for a paper like this to [...]

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  • I was lucky enough to speak at a panel tonight with director George Miller about the future of film. George lamented the fact that good stories just aren’t surfacing as much any more in cinema – either because studios are averting risk by financing sequels (rather than original content) or maybe because we have mined [...]

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  • A few questions our film and TV industry are asking themselves at the moment: Why are Australian films not hitting the mark with the under 40′s demographic? Should we be making films for our own market or aiming at international sales? Does distribution of films over the internet risk losing income through piracy? Surely asking [...]

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  • Digital Storytelling – a new book out

    Shilo McClean’s eagerly awaited book ‘Digital Storytelling: the narrative power of visual effects in film’ is out at last. Published by MIT press this weighty volume is an informed and practical extension of Shilo’s earlier work in the area. Her first book ‘So what’s this all about then?’ is a rare and valuable guide for [...]

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  • Seems like the whole Australian animation and film industries breathed a huge sigh of relief when Happy Feet opened in the US taking $40 million US in its opening weekend. And there was follow on box office success during Thankgiving meaning the film was on par with what Madagascar achieved this time last year (a [...]

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